Friday, 03 May 2013

Buddhism: What's Hot Now: Bodhidharma

Buddhism: What's Hot Now
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Bodhidharma
May 3rd 2013, 11:02

First Patriarch of Ch'an (Zen) Buddhism:

Although little is known about the life of Bodhidharma, as the founder of Ch'an (Zen) Buddhism his influence permeates the culture of Asia and now the West. The story of his life has been preserved in legend.

Early Life:

Bodhidharma was a monk from India who studied with Prajnadhara. Some time after completing his studies he left India for China.

"I Know Not":

Bodhidharma was invited to visit the Emperor Wu of Liang, who was a great patron of Buddhism. The Emperor had built many monasteries, and he asked Bodhidharma what merit his generosity had earned. "No merit," said Bodhidharma. Startled, the Emperor asked Bodhidharma the supreme truth of the Dharma. "Vast emptiness; nothing holy," replied Bodhidharma. Finally, the Emperor asked, "Who are you?" "I know not," said Bodhidharma.

To the Shaolin Temple:

Bodhidharma traveled north to the Shaolin Temple. For nine years he sat in meditation in a cave near the temple. According to legend, at one point he was frustrated by his own drowsiness and so ripped off his eyelids.

Hui-k'o:

Hui-k'o, who would be the Second Patriarch of Ch'an, stood in the snow outside the cave. To show Bodhidharma his sincerity to learn the Dharma, Hui-k'o cut off his arm and said, "Your disciple's mind has no peace as yet. Master, please, put it to rest." Bodhidharma said, "Bring me your mind, and I will put it to rest." Hui-k'o said, "I have searched for my mind, but I cannot find it." Bodhidharma said, "I have completely put it to rest for you."

No Coming, No Going:

Some legends say Bodhidharma returned to India before his death. Others say he lived to be 150 and was buried in the mountains of Honan, China. Some time later a pilgrim encountered Bodhidharma walking back to India, wearing only one sandal. When his grave was opened it was empty, save for one sandal.

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Buddhism: What's Hot Now: The Vimalakirti Sutra

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The Vimalakirti Sutra
May 3rd 2013, 11:02

The Vimalakirti Nirdesa Sutra, also called the Vimalakirti Sutra, probably was written nearly 2,000 years ago. Yet it retains its freshness and humor as well as its wisdom. Modern readers especially appreciate its lesson on the equality of women and the enlightenment of laypeople.

Like most Mahayana Buddhist Sutras, the origins of the text are not known. It is generally believed that the original was a Sanskrit text dating to about the 1st century CE. The oldest version that survives to the present day is the translation into Chinese made by Kumarajiva in 406 CE. Another Chinese translation, considered to be more accurate, was completed by Hsuan Tsang in the 7th century. The now-lost Sanskrit original also was translated into Tibetan, most authoritatively by Chos-nyid-tshul-khrims in the 9th century.

The Vimalakirti Sutra contains more subtle wisdom than can be presented in a short essay, but here is a brief overview of the sutra.

Vimalakirti's Story

In this allegorical work, Vimalakirti is a layman who debates a host of disciples and bodhisattvas and demonstrates his deep enlightenment and understanding. Only the Buddha himself is his equal. So, the first point made in the sutra is that enlightenment does not depend on ordination.

Vimalakirti is a Licchavi, one of the ruling clans of ancient India, and he is held in high esteem by all. The second chapter of the sutra explains that Vimalakirti feigns illness (or takes illness into himself) so that many people, from the king to the commoners, would come to see him. He preaches the dharma to those who come, and many of his visitors realizes enlightenment.

In the next chapters, we find the Buddha telling his disciples, as well as transcendent bodhisattvas and deities, to go see Vimalakirti also. But they are reluctant to go and make excuses, because in the past they had all been intimidated by Vimalakirti's superior understanding.

Even Manjusri, bodhisattva of wisdom, feels humbled by Vimalakirti. But he agrees to go visit the layman. Then a great host of disciples, buddhas, bodhisattvas, gods and goddesses decide to go along to witness, because a conversation between Vimalakirti and Manjusri would be incalculably illuminating.

In the narrative that follows, Vimalakirti's sick room expands to take in the countless beings who had come to see him, indicating they had entered the boundless realm of inconceivable liberation. Although they hadn't intended to speak, Vimalakirti draws the Buddha's disciples and other visitors into a dialogue in which Vimalakirti challenges their understanding and gives them instruction.

Meanwhile, the Buddha is teaching in a garden. The garden expands, and the layman Vimalakirti appears with his host of visitors. The Buddha adds his own words of instruction. The sutra concludes with a vision of the Buddha Akshobhya and the Universe Abhirati and an epilogue that includes a version of the Four Reliances.

The Dharma-Door of Nonduality

If you had to summarize the main teaching of the Vimalakirti in one word, that word might be "nonduality." Nonduality is a deep teaching especially important to Mahayana Buddhism. At its most basic, it refers to perception without reference to subject and object, self and other.

Chapter 9 of the Vimalakirti, "The Dharma-Door of Nonduality," is possibly the best known section of the sutra. In this chapter, Vimalakirti challenges a group of transcendent bodhisattvas to explain how to enter the dharma-door. One after another, they give examples of dualism and nondualism. For example (from page 74, Robert Thurman translation):

The bodhisattva Parigudha declared, "'Self' and 'selflessness' are dualistic. Since the existence of self cannot be perceived, what is there to be made 'selfless'? Thus, the nondualism of the vision of their nature is the entrance into nonduality."

The bodhisattva Vidyuddeva declared, "'Knowledge' and 'ignorance' are dualistic. The natures of ignorance and knowledge are the same, for ignorance is undefined, incalculable, and beyond the sphere of thought. The realization of this is the entrance into nonduality."

One after another, the bodhisattvas seek to outdo one another in their understanding of nonduality. Manjusri declares that all have spoken well, but even their examples of nonduality remain dualistic. Then Manjusri asks Vimalakirti to offer his teaching on the entrance into nonduality.

Sariputra remains silent, and Manjusri says, "Excellent! Excellent, noble sir! This is indeed the entrance into the nonduality of the bodhisattvas. Here there is no use for syllables, sounds, and ideas."

The Goddess

In a particularly intriguing passage in Chapter 7, the disciple Sariputra asks an enlightened goddess why she does not transform out of her female state. This may be a reference to a common belief that women must transform to become men before they enter Nirvana.

The goddess responds that "female state" has no inherent existence. Then she magically causes Sariputra to assume her body, while she assumes his. It's a scene similar to the gender transformation in Virginia Woolf's feminist novel Orlando, but written almost two millennia earlier.

The goddess challenges Sariputra to transform from his female body, and Sariputra answers there is nothing to transform. The goddess responds, "With this in mind, the Buddha said, 'In all things, there is neither male nor female.'"

English Translations

Robert Thurman, The Holy Teachings of Vimalakirti: A Mahayana Scripture (Pennsylvania State University Press, 1976). This is a very readable translation from Tibetan.

Burton Watson, The Vimalakirti Sutra (Columbia University Press, 2000). Watson is one of the most respected translators of Buddhist texts. His Vimalakirti is translated from the Kumarajiva Chinese text.

Read More: An Overview of Buddhist Scriptures

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Thursday, 02 May 2013

Buddhism: Arising and Cessation

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Arising and Cessation
May 2nd 2013, 11:18

I've been reviewing the Second Noble Truth and want to share what the Theravadin scholar Walpola Rahula wrote about it in his book What the Buddha Taught. If you've got a copy of the Grove Press edition, you can find this on pages 30 to 32.

In his first sermon after his enlightenment, the Buddha said that dukkha (stress; dissatisfaction; suffering) arises from tanha, which means "thirst" or "craving." And craving arises from belief in a permanent, separate self. This belief is a function of mental volition or will.

According to Walpola Rahula, the terms craving, volition, and karma all denote the same thing. "They denote the desire, the will to be, to exist, to re-exist, to become more and more, to grow more and more, to accumulate more and more." He noted also that all of these things are functions of the fourth skandha, mental formations.

This brings a couple of things home for me. First, the more I learn about the Buddha's teaching, the more I see how integrated it all is. At first, it might seem to be a big jumble of alien concepts -- skandhas and dukkha and the Twelve Thises and the Five Thats, etc. But the many teachings reinforce and support each other in a grandly logical way.

Second, once again, the foundation for understanding any of this is an appreciation of anatta, or sunyata for some of us. Without at least some grounding in n0-self, a person has no hope of understanding the rest of it.

Walpola Rahula explained that this point about the origin of dukkha is among the most important of the Buddha's teachings. It helps us understand that the cause or germ of the arising of dukkha is within dukkha itself, and the cause or germ of the cessation of dukkha is within dukkha itself. Enlightenment is not something that will come out of the sky and chase dukkha away.

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Buddhism: What's Hot Now: Jataka Tales

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Jataka Tales
May 2nd 2013, 11:02

So did you hear the one about the monkey and the crocodile? What about the story of the contended quail? Or the rabbit in the moon? Or the hungry tigress?

These stories are from the Jataka Tales, a large body of stories about the earlier lives of the Buddha. Many are in the form of animal fables that teach something about morality, not unlike Aesop's fables. Many of the stories are charming and light-hearted, and some of these have been published in sweetly illustrated children's books. However, not all of the stories are suitable for children; some are dark and even violent.

Where did the Jatakas originate? The stories come from multiple sources and have a multitude of authors. Like other Buddhist literature, the many stories can be divided into "

The Theravada Jataka Tales

The oldest and largest collection of Jataka Tales is in the Pali Canon. They are found in the Sutta-pitaka ("basket of sutras") part of the canon, in a section called the Khuddaka Nikaya, and they are presented there as the record of the Buddha's past lives. Some alternative versions of the same stories are scattered about in other parts of the Pali Canon.

The Khuddaka Nikaya contains 547 verses arranged in order of length, shortest to longest. The stories are found in commentaries to the verses. The "final" collection as we know it today was compiled about 500 CE, somewhere in southeast Asia, by unknown editors.

The overall purpose of the Pali Jatakas is to show how the Buddha lived many lives with the goal of realizing enlightenment. The Buddha was born and reborn in the forms of humans, animals, and superhuman beings, but always he made a great effort to reach his goal.

Many of these poems and stories come from much older sources. Some of the stories are adapted from a Hindu text, Panchatantra Tales, written by Pandit Vishu Sharma around 200 BCE. And it is probable many of the other stories are based on folk tales and other oral traditions that have otherwise been lost."

Storyteller Rafe Martin, who has published several books of Jataka Tales, wrote, "Formed of fragments of epics and hero tales arising from deep in the collective Indian past, this already ancient material was taken over and revised, reworked, and reused by later Buddhist storytellers for their own purposes" (Martin, The Hungry Tigress: Buddhist Myths, Legends, and Jataka Tales, p. xvii).

The Mahayana Jataka Tales

What some call the Mahayana Jataka stories are also called the "apocryphal" Jatakas, indicating they come from unknown origins outside the standard collection (the Pali Canon). These stories, usually in Sanskrit, were written over the centuries by many authors.

One of the best known collections of these "apocryphal" works does have a known origin. The Jatakamala ("garland of Jatakas"; also called the Bodhisattvavadanamala) probably was composed in the 3rd or 4th century CE. The Jatakamala contains 34 Jatakas written by Arya Sura (sometimes spelled Aryasura). The stories in the Jatakamala focus on the perfections, especially those of generosity, morality, and patience.

Although he is remembered as a skillful and elegant writer, little is known about Arya Sura. One old text preserved at the University of Tokyo says he was the son of a king who renounced his inheritance to become a monk, but whether that is true or a fanciful invention no one can say.

The Jataka Tales in Practice and Literature

Through the centuries these stories have been much more than fairy tales. They were, and are, taken very seriously for their moral and spiritual teachings. Like all great myths, the stories are as much about ourselves as they are about the Buddha. As Joseph Campbell said, "Shakespeare said that art is a mirror held up to nature. And that's what it is. The nature is your nature, and all of these wonderful poetic images of mythology are referring to something in you." ["Joseph Campbell: The Power of Myth, with Bill Moyers,"PBS ]

The Jataka Tales are portrayed in dramas and dance. The Ajanta Cave paintings of Maharashtra, India (ca. 6th century CE) portray Jataka Tales in narrative order, so that people walking through the caves would learn the stories.

Jatakas in World Literature

Many of the Jatakas bear a striking resemblance to stories long familiar in the West. For example, the story of Chicken Little -- the frightened chicken who thought the sky was falling -- is essentially the same story as one of the Pali Jatakas (Jataka 322), in which a frightened monkey thought the sky was falling. As the forest animals scatter in terror, a wise lion discerns the truth and restores order.

The famous fable about the goose that laid golden eggs is eerily similar to Pali Jataka 136, in which a deceased man was reborn as a goose with gold feathers. He went to his former home to wind his wife and children from his past life. The goose told the family they could pluck one gold feather a day, and the gold provided well for the family. But the wife became greedy and plucked all the feathers out. When the feathers grew back, they were ordinary goose feathers, and the goose flew away.

It is unlikely Aesop and other early storytellers had copies of the Jatakas handy. And it's unlikely that the monks and scholars who compiled the Pali Canon more than 2,000 years ago ever heard of Aesop. Perhaps the stories were spread by ancient travelers. Perhaps they were built from fragments of the first human stories, told by our paleolithic ancestors.

Read More -- Three Jataka Tales:

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Buddhism: What's Hot Now: The Five Dhyani Buddhas: Amitabha Buddha

Buddhism: What's Hot Now
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The Five Dhyani Buddhas: Amitabha Buddha
May 2nd 2013, 11:02

Amitabha Buddha, who is also called Amita or Amida Buddha, probably is the best known of the Dhyani Buddhas. In particular, devotion to Amitabha is at the center of Pure Land Buddhism, one of the largest schools of Mahayana Buddhism in Asia.

In long-ago time, Amitabha was a king who renounced his kingdom to become a monk. Called Dharmakara Bodhisattva, the monk practiced diligently for five eons and realized enlightenment and became a buddha.

Amitabha Buddha reigns over Sukhavati, the western paradise, also called the Pure Land. Those reborn in the Pure Land experience the joy of hearing Amitabha teach the dharma until they are ready to enter Nirvana.

Amitabha symbolizes mercy and wisdom. He is associated with the third skandha, that of perception. Tantric meditation on Amitabha is an antidote to desire. He is sometimes pictured in between the bodhisattvas Avalokiteshvara and Mahasthamaprapta.

In this image, Amitabha's hands are in a meditation mudra. His symbol is the lotus, representing gentleness and purity.

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Wednesday, 01 May 2013

Buddhism: What's Hot Now: The Wheel of Life: Yama, Lord of the Underworld

Buddhism: What's Hot Now
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The Wheel of Life: Yama, Lord of the Underworld
May 1st 2013, 11:02

The terrible face of Yama, who represents death, peers over the top of the Wheel. In spite of his appearance, Yama is not evil. He is a wrathful dharmapala, a creature devoted to protecting Buddhism and Buddhists. Although we may be frightened of death, it is not evil; just inevitable.

In legend, Yama was a holy man who believed he would realize enlightenment if he meditated in a cave for 50 years. In the 11th month of the 49th year, robbers entered the cave with a stolen bull and cut off the bull's head. When they realized the holy man had seen them, the robbers cut off his head also.

But the holy man put on the bull's head and assumed the terrible form of Yama. He killed the robbers, drank their blood, and threatened all of Tibet. He could not be stopped until Manjushri, Bodhisattva of Wisdom, manifested as the even more terrible dharmapala Yamantaka and defeated Yama. Yama then became a protector of Buddhism.

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Buddhism: What's Hot Now: What's a Buddha?

Buddhism: What's Hot Now
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What's a Buddha?
May 1st 2013, 11:02

Buddha is a Sanskrit word that means "awakened one." A Buddha is someone who has realized the enlightenment that ends the cycle of birth and death and which brings liberation from suffering.

Who's Who?

Is the fat guy Buddha, or is the skinny guy who meditates Buddha? They are both Buddha, but different Buddhas. The fat, laughing Buddha emerged from Chinese folklore in the 10th century. He is called Pu-tai in China and Hotei in Japan, and is said to be an incarnation of the future Buddha, Maitreya.

Future Buddha?

The early Pali texts names six Buddhas who lived before the historical Buddha, and one who will come after, who is Maitreya. Theravada Buddhism teaches that there is only one Buddha per age, and the Buddha of our age is the historical Buddha, the person born Siddhartha Gautama in the 6th century BCE. (In Theravada Buddhism, other people who have realized enlightenment during this age are called Arhats.)

He is also called Gautama (or Gotama) Buddha and the Tathagata (which means "he who is thus gone"). Mahayana Buddhists sometimes call him Shakyamuni Buddha, which means "sage of the Shakya." The Shakya was the historical Buddha's clan. As a rule, when English-speaking Buddhists refer to the Buddha, they are talking about the historical Buddha.

Other Buddhas

So the Buddha pictured as meditating is the historical Buddha? Not always. Mahayana art and literature are populated by a number of other Buddhas.

How Many Buddhas?

How many do you need? Seriously, it's not a fixed number. In Mahayana, Buddha-nature is the true nature of all beings. In a sense, everyone is Buddha. In the Zen monastery where I first studied Buddhism, the monks often pointed to the Buddha on the altar and said, "That's you."

To complicate matters further, the Mahayana doctrine of the Trikaya says that each Buddha has three bodies. These are called the dharmakaya, sambogakaya and nirmanakaya. Very simply, dharmakaya is the body of absolute truth, sambogakaya is the body that experiences the bliss of enlightenment, and nirmanakaya is the body that manifests in the world.

In Mahayana literature, there is an elaborate schema of transcendent and earthly Buddhas that correspond to each other and represent different aspects of the teachings. You will stumble into them in the Mahayana sutras and other writings, so it's good to be aware of who they are. As a rule, however, it's not necessary to know and memorize all the transcendent and earthly Buddhas to practice Mahayana Buddhism.

One exception might be Amitabha, or Amida, who has a special place in the Mahayana school known as Pure Land. Veneration of Amitabha is central to Pure Land Buddhism. This Buddha, who symbolizes mercy and wisdom, is most often pictured seated in a lotus blossom.

All Buddhas Are One

The most important thing to understand about the Trikaya is that the countless Buddhas are, ultimately, one Buddha, and the three bodies are also our own body. A person who has intimately experienced the three bodies and realized the truth of these teachings is called a Buddha.

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